Alter-Ego Acting: He would differentiate Donald Glover, the nerdy Nice Guy and Childish Gambino, the egotistical hedonist.Tropes across his career (tropes in his music can be found at Childish Gambino) Sony's Spider-Man Universe as Hypno-Hustler (TBA).Swarm (2023) (co-creator, cameo As Himself).Solo: A Star Wars Story (2018) as Lando Calrissian.Spider-Man: Across the Spider-Verse (2023).Marvel Cinematic Universe and Spider-Man: Spider-Verse as Aaron Davis / "Prowler".Atlanta (2016 - 2022) as Earnest "Earn" Marks (also creator).Ultimate Spider-Man (2015) as Miles Morales / Spider-Man (voice).China, IL (2015) as William "Transfer Billy" (voice).Alexander and the Terrible, Horrible, No Good, Very Bad Day (2014) as Greg.Adventure Time (2013, 2016) as Marshall Lee (voice).The Muppets (2011) as Junior CDE Executive.He has accounts on Facebook, Twitter, and SoundCloud. He is not related to actor Danny Glover, as he has actually brought up in some occasions. He was additionally a member of Derrick Comedy, a comedy troupe formed while he went to college at NYU, around the start of his career. He would eventually voice Morales in Ultimate Spider-Man. Although it was unsuccessful, it was widely supported online, with no less than Stan Lee even voicing his approval. Glover is also credited as a principal inspiration for the creation of the Marvel Comics superhero Miles Morales, through a campaign started in 2010 for him to play the lead role of Peter Parker in The Amazing Spider-Man which used the hashtag "#donald4spiderman". All tropes related to his music should go on that page. Towards the end of the process of finishing the record, we decided to tweak the song - Donald wanted to change the chorus.Donald McKinley Glover (born Septemin Edwards Air Force Base, California) is an American rapper, singer, writer, actor, comedian, director and producer.Īs the number of creative titles just listed may imply, Glover is known and acclaimed as a premier Renaissance Man of his times, recognizable as much for his work in TV (being hired by Tina Fey to write for 30 Rock, rising to fame as Troy Barnes on Community, creating the FX series Atlanta, and co-creating the Amazon Prime Video series Swarm) and film (noted roles including a young Lando Calrissian in Solo and an adult Simba in The Lion King (2019)) as his successful career in music.Īlthough he's worked under a handful of names, dating back far before he grew mainstream recognition for it, he is most known musically for his work as a rapper, singer/songwriter and producer under the name Childish Gambino. That song was a different idea at first that was already mixed and done for the album. Did “Redbone” give you the same sort of feeling from the jump? You mentioned that “Me and Your Mama” really stood out to y’all during the recording process. Small little things like that made it feel new and modern but still nostalgic. “Me and Your Mama” - the 808s in the beginning and the processing of the vocals. If you listen to “Stand Tall” for example, how it transition to that synth part at the end. It’s not fun if people listen to it and it’s like, “This sounds like someone could have made this 40 years ago.” Bringing in recording techniques and studio elements that didn’t exist back then, and bringing together a mix of genres that weren’t being combined back then. Something else that I was thinking about as a producer is how do we make funk music in a way that it couldn’t have been made in the ‘70s. Were you already familiar with their catalog going in? We were playing around with the riff for that song, changing the time signatures - the song starts in 4/4 and switches to 6/8 - and making it more unique.ĭonald Glover was very vocal about the Parliament-Funkadelic influence on the album. One of the song ideas that we felt was really special and that we always circled back to after listening back was “Me and Your Mama.” Prior to these jam sessions, Donald and I had been playing around with different riffs. We probably did 15 songs in the studio and a lot of it was really out there. We didn’t really know where it was going to go. We got our band together in the studio and spent the studio trying out different sound ideas and jamming. Before every show, we go out there at soundcheck and play with each other for two hours - just jamming. There’s been performances with big string sections and stuff like that so we’d been working a lot with musicians, even though our first two albums were more produced in the studio. So I think that’s always been the sound of our live shows. It is a departure but I would say if you’ve been to one of our live shows, we’ve always had a huge live band.
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